For 35 years, by his modellings, sculptures ceramic the self-educated artist Dominique VINEL has sought to reconcile the original creation of apparently definite objects with the contribution of details included as unexpected as absurd.
Bolts in the lace of ceramics, the earthenware fish scales due to the stamping of adjustable, a raised vase open-end wrench of gears
or valves and fittings,
basins whose out of date planks are the trace of the brass of the glosses of our grandparents…
This unperceivable shift with the first glance impregnates works of a refreshing humor!

The technique of the plate and the wad in stamping on mould
or form is necessary; turning is only used for the mountings.

The color is due to the sets of oxides under a transparent glaze;
the second cooking being carried out with or
without reduction towards 800°c.

The large mirrors, where the meticulous sandpapering of the layers of painting reveals the history of wood, tell the life of the boat, with its wounds printed by the ropes, its fictitious and real repairs.
A low tin relief points out the life of the fishermen